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The Big Time by Fritz Leiber
The Big Time is the cornerstone of Fritz Leiber’s Change War series about a war between two factions, the “Snakes” and the “Spiders”, changing and rechanging history throughout the universe.
Book Details
Book Details
The Big Time is the cornerstone of Fritz Leiber’s Change War series about a war between two factions, the “Snakes” and the “Spiders”, changing and rechanging history throughout the universe.
The Big Time (1958)
You can’t know there’s a war on—for the Snakes coil and Spiders weave to keep you from knowing it’s being fought over your live and dead body!
Chapter 1 – Enter Three Hussars
Chapter 2 – A Right-hand Glove
Chapter 3 – Nine For A Party
Chapter 4 – SOS From Nowhere
Chapter 5 – Sid Insists On Ghostgirls
Chapter 6 – Crete Circa 1300 B.C.
Chapter 7 – Time To Think
Chapter 8 – A Place To Stand
Part 2
Safe outside the cosmos, the Place gave refuge to Soldiers after their raids on history … but now mutiny had turned it into a bomb in a bag!
Synopsis
Chapter 9 – A Locked Room
Chapter 10 – Motives And Opportunities
Chapter 11 – The Western Front, 1917
Chapter 12 – A Big Opportunity
Chapter 13 – The Tiger Is Loose
Chapter 14 – “Now Will You Talk?”
Chapter 15 – Lord Spider
Chapter 16 – The Possibility-Binders

Fritz Leiber Jr. (1910-1992) was born in Chicago to the actors Fritz Leiber and Virginia Bronson Leiber. He studied philosophy at the University of Chicago. In 1936, he initiated a brief, intense correspondence with H. P. Lovecraft, who encouraged and influenced him before Lovecraft died in March, 1937.
The Big Time was first published in two parts in the March and April, 1958 editions of Galaxy Science Fiction.
The Big Time has 6 illustrations.
Files:
- Leiber-BigTime.epub
Read Excerpt
Excerpt: The Big Time
Chapter 1
When shall we three meet again
In thunder, lightning, or in rain?
When the hurlyburly’s done.
When the battle’s lost and won.
—Macbeth
Enter Three Hussars
MY name is Greta Forzane. Twenty-nine and a party girl would describe me— I was born in Chicago, of Scandinavian parents, but now I operate chiefly outside space and time—not in Heaven or Hell, if there are such places, but not in the cosmos or universe you know either.
I am not as romantically entrancing as the immortal film star, this thing that showed me so much about myself and everything.
When it started, I had been on the Big Time for a thousand sleeps and two thousand nightmares, and working in the Place for five hundred-one thousand. This two-nightmares routine every time you lay down your dizzy little head is rough, but you pretend to get used to it because being on the Big Time is supposed to be worth it.
The Place is midway in size and atmosphere between a large nightclub where the Entertainers sleep in and a small Zeppelin hangar decorated for a party, though a Zeppelin is one thing we haven’t had yet. You go out of the Place, but not often if you have any sense and if you are an Entertainer like me, into the cold light of a morning filled with anything from the earlier dinosaurs to the later spacemen, who look strangely similar except for size.
Solely on doctor’s orders, I have been on cosmic leave six times since coming to work at the Place, meaning I have had six brief vacations, if you care to call them that, for believe me they are busman’s holidays, considering what goes on in the Place all the time. The last one I spent in Renaissance Rome, where I got a crush on Cesare Borgia, but I got over it. Vacations are for the birds, anyway, because they have to be fitted by the Spiders into serious operations of the Change War, and you can imagine how restful that makes them.
“See those Soldiers changing the past? You stick along with them. Don’t go too far up front, though, but don’t wander off either. Relax and enjoy yourself.”
Ha! Now the kind of recuperation Soldiers get when they come to the Place is a horse of a far brighter color, simply dazzling by comparison. Entertainment is our business and we give them a bang-up time and send them staggering happily back into action, though once in a great while something may happen to throw a wee shadow on the party.
I AM dead in some ways, but don’t let that bother you—I am lively enough in others. If you met me in the cosmos, you would be more apt to yak with me or try to pick me up than to ask a cop to do same or a father to douse me with holy water, unless you are one of those hard-boiled reformer types. But you are not likely to meet me in the cosmos, because (bar Basin Street and the Prater) 15th Century Italy and Augustan Rome—until they spoiled it — are my favorite (Ha!) vacation spots and, as I have said, I stick as close to the Place as I can. It is really the nicest Place in the whole Change World. (Crisis! I even think of it capitalized!)
Anyhoo, when this thing started, I was twiddling my thumbs on the couch nearest the piano and thinking it was too late to do my fingernails and whoever came in probably wouldn’t notice them anyway.
The Place was jumpy like it always is on an approach and the gray velvet of the Void around us was curdled with the uneasy lights you see when you close your eyes in the dark.
Sid was tuning the Maintainers for the pickup and the right shoulder of his gold-worked gray doublet was streaked where he’d been wiping his face on it with quick ducks of his head.
Beauregard was leaning as close as he could over Sid’s other shoulder, one white-trousered knee neatly indenting the rose plush of the control divan, and he wasn’t missing a single flicker of Sid’s old fingers on the dials; Beau’s co-pilot besides piano player. Beau’s face had that dead blank look it must have had when every double eagle he owned and more he didn’t were riding on the next card to be turned in the gambling saloon on one of those wedding-cake Mississippi steamboats.
Doc was soused as usual, sitting at the bar with his top hat pushed back and his knitted shawl pulled around him, his wide eyes seeing whatever horrors a life in Nazi-occupied Czarist Russia can add to being a drunk Demon in the Change World.
Maud, who is the Old Girl, and Lili — the New Girl, of course — were telling the big beads of their identical pearl necklaces.
You might say that all us Entertainers were a bit edgy; being Demons doesn’t automatically make us brave.
Then the red telltale on the Major Maintainer went out and the Door began to darken in the Void facing Sid and Beau, and I felt Change Winds blowing hard and my heart missed a couple of beats, and the next thing three Soldiers had stepped out of the cosmos and into the Place, their first three steps hitting the floor hard as they changed times and weights.
THEY were dressed as officers of hussars, as we’d been advised, and — praise the Bonny Dew! — I saw that the first of them was Erich, my own dear little commandant, the pride of the von Hohenwalds and the Terror of the Snakes. Behind him was some hard-faced Roman or other, and beside Erich and shouldering into him as they stamped forward was a new boy, blond, with a face like a Greek god who’s just been touring a Christian hell.
They were uniformed exactly alike in black — shakos, fur-edged pelisses, boots, and so forth—with white skull emblems on the shakos. The only difference between them was that Erich had a Caller on his wrist and the New Boy had a black-gauntleted glove on his left hand and was clenching the mate in it, his right hand being bare like both of Erich’s and the Roman’s.
“You’ve made it, lads, hearts of gold,” Sid boomed at them, and Beau twitched a smile and murmured something courtly and Maud began to chant, “Shut the Door!” and the New Girl copied her and I joined in because the Change Winds do blow like crazy when the Door is open, even though it can’t ever be shut tight enough to keep them from leaking through.
“Shut it before it blows wrinkles in our faces,” Maud called in her gamin voice to break the ice, looking like a skinny teenager in the tight, knee-length frock she’d copied from the New Girl.
But the three Soldiers weren’t paying attention. The Roman — I remembered his name was Mark — was blundering forward stiffly as if there were something wrong with his eyes, while Erich and the New Boy were yelling at each other about a kid and Einstein and a summer palace and a bloody glove and the Snakes having booby-trapped Saint Petersburg. Erich had that taut sadistic smile he gets when he wants to hit me.
The New Boy was in a tearing rage. “Why’d you pull us out so bloody fast? We fair chewed the Nevsky Prospekt to pieces galloping away.”
“Didn’t you feel their stun guns, Dummkopf, when they sprung the trap — too soon, Gott sei Dank?” Erich demanded.
“I did,” the New Boy told him. “Not enough to numb a cat. Why didn’t you show us action?”
“Shut up. I’m your leader. I’ll show you action enough.”
“You won’t. You’re a filthy Nazi coward.”
“Weibischer Englander!”
“Bloody Hun!”
“Schlange!”
The blond lad knew enough German to understand that last crack. He threw back his sable-edged pelisse to clear his sword arm and he swung away from Erich, which bumped him into Beau. At the first sign of the quarrel, Beau had raised himself from the divan as quickly and silently as a — no, I won’t use that word— and slithered over to them.
“Sirs, you forget yourselves,” he said sharply, off balance, supporting himself on the New Boy’s upraised arm. “This is Sidney Lessingham’s Place of Entertainment and Recuperation. There are ladies —”
Excerpt From: Fritz Leiber. “The Big Time”
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