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Armageddon – Five Stories by Ray Bradbury

Through wars and conquests and societal “reorganizations”, Ray Bradbury writes about the “endings” of things in these five science fiction stories.

Book Details

Book Details

Through wars and conquests and societal “reorganizations”, Ray Bradbury writes about the “endings” of things in these five science fiction stories. From the most personal and singular, to the most public and cosmic all things must come to an end.

. . . . and the moon be still as bright (1948) – When Spender Stalks the Martian Hills, He Faces the Fate of an Idealist Gone Berserk!
Chapter I – Voyagers From Earth
Chapter II – Red Reckoning
Chapter III – Reign Of Death
Chapter IV – Stone Sarcophagus

Asleep in Armageddon (1948) – Avoid Planetoid 787. Lush and sunny, with fine air and no dangerous beasts. It’ll tempt you to curve in for some nice solid-ground sleep. DON’T!

Defense Mech (1946) – Halloway stared down at Earth, and his brain tore loose and screamed, Man, man, how’d you get in a mess like this, in a rocket a million miles past the moon, shooting for Mars and danger and terror and maybe death.

Morgue Ship (1944) – This was Burnett’s last trip. Three more shelves to fill with space-slain warriors — and he would be among the living again.

Pillar Of Fire (1948) – He came out of the earth, hating. Hate was his father; hate was his mother. A five chapter novelette.

Ray Douglas Bradbury (1920–2012) was was one of the most celebrated 20th- and 21st-century American writers. He worked in a variety of genres, including fantasy, science fiction, horror, and mystery fiction. Upon his death in 2012, The New York Times called Bradbury “the writer most responsible for bringing modern science fiction into the literary mainstream”.

Armageddon – Five Stories contains 7 illustrations.

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  1. Bradbury-Armageddon.epub
Read Excerpt

Excerpt: Asleep in Armageddon

YOU DON’T WANT DEATH and you don’t expect death. Something goes wrong, your rocket tilts in space, a planetoid jumps up, blackness, movement, hands over the eyes, a violent pulling back of available power in the fore-jets, the crash . . .

The darkness. In the darkness, the senseless pain. In the pain, the nightmare.

He was not unconscious.

Your name? asked hidden voices. Sale, he replied in whirling nausea. Leonard Sale.   Occupation, cried the voices. Spaceman! he cried, alone in the night. Welcome, said the voices. Welcome, welcome. They faded.

He stood up in the wreckage of his ship. It lay like a folded, tattered garment around him.

The sun rose and it was morning.

Sale pried himself out the small airlock and stood breathing the atmosphere. Luck. Sheer luck. The air was breathable. An instant’s checking showed him that he had two month’s supply of food with him. Fine, fine! And this — he fingered at the wreckage. Miracle of miracles! The radio was intact.

He stuttered out the message on the sending key. CRASHED ON PLANETOID 787. SALE. SEND HELP. SALE. SEND HELP.

The reply came instantly: HELLO, SALE. THIS IS ADDAMS IN MARS-PORT. SENDING RESCUE SHIP LOGARITHM. WILL ARRIVE PLANETOID 787 IN SIX DAYS. HANG ON.

Sale did a little dance.

It was simple as that. One crashed. One had food. One radioed for help. Help came. La! He clapped his hands.

The sun rose and was warm. He felt no sense of mortality. Six days would be no time at all. He would eat, he would read, he would sleep. He glanced at his surroundings. No dangerous animals; a tolerable oxygen supply. What more could one ask. Beans and bacon, was the answer. The happy smell of breakfast filled the air.

After breakfast he smoked a cigarette slowly, deeply, blowing out. He nodded contentedly. What a life! Not a scratch on him. Luck. Sheer luck.

His head nodded. Sleep, he thought.

Good idea. Forty winks. Plenty of time to sleep, take it easy. Six whole long, luxurious days of idling and philosophizing. Sleep.

He stretched himself out, tucked his arm under his head, and shut his eyes.

INSANITY came in to take him. The voices whispered.

Sleep, yes, sleep, said the voices. Ah, sleep, sleep.

He opened his eyes. The voices stopped. Everything was normal. He shrugged. He shut hi» eyes casually, fitfully. He settled his long body.

Eeeeeeeeeeee, sang the voices, far away. Ahhhhhhhh, sang the voices.

Sleep, sleep, sleep, sleep, sleep, sang the voices.

Die, die, die, die, die, sang the voices.

0oooooooooooooo, cried the voices.

Mmmmmmmmmmmmmmm, a bee ran through his brain.

He sat up. He shook his head. He put his hands to his ears. He blinked at the crashed ship. Hard metal. He felt the solid rock under his fingers. He saw the real sun warming the blue sky.

Let’s try sleeping on our back, he thought. He adjusted himself, lying back down. His watch ticked on his wrist The blood burned in his veins.

Sleep, sleep, sleep, sleep, sleep, sang the voices.

Ohhhhhhhhhhhhhhhh, sang the voices.

Ahhhhhhhhhhhhhhhh, sang the voices.

Die, die, die, die, die. Sleep, sleep, die, sleep, die, sleep, die! Oohhh. Ahhhhh. Eeeeeeeeeeeeeeee!

Blood tapped in his ears. The sound of the wind rising.

Mine, mine, said a voice. Mine, mine, he’s mine!

No, mine, mine, said another voice. No, mine, mine; he’s mine!

No, ours, ours, sang ten voices. Ours, ours, he’s ours!

His fingers twitched. His jaws spasmed. His eyelids jerked.

At last, at last, sang a high voice. Now, now. The long time, the waiting. Over, over, sang the high voice. Over, over at last!

It was like being undersea. Green songs, green visions, green time. Bubbled voices drowning in deep liquors of sea tide. Far away choruses chanting senseless rhymes. Leonard Sale stirred in agony.

Mine, mine, cried a loud voice. Mine, mine! shrieked another. Ours, ours! shrieked the chorus.

The din of metal, the crash of sword, the conflict, the battle, the fight, the war. All of it exploding, his mind fiercely torn apart!

Eeeeeeeeeeeee!

Excerpt From: Ray Bradbury. “Armageddon – Five Stories.”

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