Focus On Death by Robert Leslie Bellem
Focus On Death – Five Stories from the Casebooks of Dan Turner, Hollywood Detective. Dan Turner deals with the usual assortment of lowlifes in Hollywood: actors, directors, producers, agents, thieves, blackmailers and murderers.
Focus On Death – Five Stories from the Casebook of Dan Turner, Hollywood Detective. Dan Turner deals with the usual assortment of lowlifes in Hollywood: actors, directors, producers, agents, thieves, blackmailers and murderers.
Dead Heat (1944) – The cash customers paid plenty out to watch her emote on the screen. They looked upon her as a brunette angel, but there were a lot of substantial citizens in Hollywood who knew Linda for a rat.
Broken Melody (1942) – Nothing scalds Dan Turner so much as a threatening note. When there’s geetus in a case, and when there’s a little songbird like Chiquita in the picture, nobody’s going to tell Dan to layoff, and get away with it!
Focus On Death (1944) – They were making a cowboy picture, and of course the Indians’ arrows had all been blunted. Nevertheless it was an arrow with sharpened tip that came out of the welter of battle to kill the lovely star!
Dead Man’s Guilt (1943) – Everybody knew Kilgore had been killed trying to escape from San Quentin. Yet now this girl, who knew all the facts in the case, pleads with Dan to save her from the dead man!
Wired Alibi (1948) – The victim was no longer alive to deny or confirm his murderer but Homicide Donaldson was trying to finger Dan Turner for the kill—because in a Sunset Strip gin mill the Ace private eye had uttered public threats to feed the victim crooner a load of venom. . . it was evident that Dan was in a king-size jack-pot!
Chapter II – Dust on Her Heels
Chapter III – Twice-Made Goat
Chapter IV – Not A Joy Ride
Chapter V – Holes for a Head
Chapter VI – The Clay Pigeon Flies
Robert Leslie Bellem (1902-1968), the creator of legendary Hollywood private detective Dan Turner, was the definition of prolific, producing some 3000 short stories over a thirty year career. While his friends knew him as Leslie, his publishers were afraid he would be perceived as being female, and so he used his first name Robert to publish under. Not that it was likely that a woman would have written the Dan Turner stories. . .
Focus On Death contains 8 illustrations.
Excerpt: Dead Heat
The cash customers paid plenty out to watch her emote on the screen. They looked upon her as a brunette angel, but there were a lot of substantial citizens in Hollywood who knew Linda for a rat
I REACHED for the doorknob of Linda LaMarre’s dressing room on the Altamount lot. Before I could turn it I heard a gurgling screech from inside, followed by a heavy thud. The thud sounded like somebody falling down and there was the terror of death in that shrill, throttled yeep; a quality that made the short hair prickle at the nape of my neck.
I whispered: “What the hell—!” and yanked the portal open, catapulted over the threshold. Then I froze as I lamped the gorgeous LaMarre cupcake writhing on the floor. Her squirms reminded me of a gaffed eel on a hot rock.
I knew she was a goner the instant I hung the focus on her glazing glims, her bluish-purple mush, her protruding tongue. A guy doesn’t have to be a doctor to recognize the symptoms of asphyxia and suffocation; you can pick up those fundamentals from any toxicology book. The quail on the carpet was obviously passing to her reward; and not from natural causes, either. I had a hunch it would turn out to be murder.
Being a private snoop, I don’t hold with homicide; I think it’s impolite to croak people. But you’ll find plenty of substantial citizens here in Hollywood who will argue that Linda LaMarre deserved to be abolished; and maybe they’re right. In addition to her status as an Altamount starlet, Linda was a prime species of rat. Very likely in some previous incarnation she’d sported grey fur and a tail.
She was smart, though. She had enough brains not to let her public know how poisonous she really was. The cash patrons who shelled out copious clams at the box office to watch her emote on the screen thought she was a brunette angel; which was a haywire estimate, as many a poor sucker had learned to his regret. If all the homes Linda had wrecked were laid end to end, they’d have resembled Berlin after a blockbuster bombing.
She specialized in badgering married guys, and her latest victim was Henry Kermit, an inoffensive yokel who worked in the studio makeup department. Kermit was a mild looking punk with a wife, two kids, a 4-F card from his draft board and five grand stashed in his savings account. Linda LaMarre was trying to chisel the five G’s away from him.
He had visited my office that same noon, begged me to help him out of his jam. “Linda’s putting the heat on me and I’m worried crazy, Mr. Turner,” he’d said. “I never actually played around with her; I’m a family man, not a wolf. But I accidentally let her lure me into a compromising situation not long ago, and now she threatens to tell my wife unless I fork over every dime I own.”
“What can I do about it?” I asked him.
“Scare her. She knows your reputation; everybody does. She’d lay off me if she knew the great Dan Turner was on my side. It’s the only plan I can think of, this side of killing her.” His optics glittered behind their thick cheaters and his voice cracked harshly.
I liked the naive little jerk; hated to picture him going to the gas chamber for croakery. “Don’t even entertain such a nutty notion, bub,” I’d snapped at him. “Come on, let’s ramble to the studio. I’ll see what can be done. And away we went, buckety-blip, on a mission that turned into a homicide beef after all.
Excerpt From: Robert Leslie Bellem. “Focus On Death.”
More Crime & Mystery
More by Robert Leslie Bellem
More Dan Turner